Tickets for the Extraordinary Concert program of Le chant des Muses at the Royal Chapel, Royal Palace of Madrid
🎫 General Admission
📲 Digital ticket, printing is not required
Each user may purchase a maximum of 2 tickets
General Info
📅 Date: March 18
🕒 Time: 7:30 pm
- Access will begin at 6:30 pm and will close at 7:20 pm; entry to the venue will not be permitted after this time
⏳ Duration: 80 minutes
📍 Location: Chapel, Royal Palace of Madrid. Entrance via Arco de Santiago (Royal Palace Group Access), C. de Bailén, 6, Centro, 28013 Madrid
👤 Age: recommended from 8 years old
♿️ Accessibility: venue accessible for people with reduced mobility
Description
This program is the culmination of extensive work over many years of historical research and recovery, aiming to rescue from oblivion and give voice and life to unpublished works, never before recorded or performed, by Baroque women composers, both instrumental and vocal, found in manuscripts from libraries in Paris and Venice. Pieces by twelve composers from Italy, France, Spain, and England will be performed, including up to six unpublished works recovered through historical research (sonatas, suites, dances, correnti, airs).
Program
Music in Oblivion
Isabella Leonarda (1620–1704).
Sonata No. 12 for solo violin
Francesca Caccini (1587–1640).
Songs (from Primo libro delle musiche) for voice
Élisabeth Jacquet de la Guerre (1665–1729). Sonata for violin and obbligato viola da gamba (*)
Unpublished piece
I. Grave – Presto – Adagio
II. Allegro – Largo
III. Allegro – Affettuoso – Adagio
Élisabeth Jacquet de la Guerre (1665–1729).
French cantata “Il temple rebasti” for voice and basso continuo
Gracia Baptista (fl. 1557)
Conditore Alme
Marieta Priuli (...)
Correnti for violin and spinet (*) unpublished piece
Correnti I–IV–X
Barbara Strozzi (1619–1677)
Aria Lacrime mie
Mademoiselle Duval (1665–1729). Instrumental suite
(*) unpublished piece
From Les Génies ou les Caractères
de l’Amour (Paris, 1736)]
[Air]
Bourrée en rondeau
Sarabande
L’Amour [Air]
Menuet I and II
Mary Dering. A false Designe to be cruel
(*) unpublished piece
Performers
🎫 General Admission
📲 Digital ticket, printing is not required
Each user may purchase a maximum of 2 tickets
General Info
📅 Date: March 18
🕒 Time: 7:30 pm
- Access will begin at 6:30 pm and will close at 7:20 pm; entry to the venue will not be permitted after this time
⏳ Duration: 80 minutes
📍 Location: Chapel, Royal Palace of Madrid. Entrance via Arco de Santiago (Royal Palace Group Access), C. de Bailén, 6, Centro, 28013 Madrid
👤 Age: recommended from 8 years old
♿️ Accessibility: venue accessible for people with reduced mobility
Description
This program is the culmination of extensive work over many years of historical research and recovery, aiming to rescue from oblivion and give voice and life to unpublished works, never before recorded or performed, by Baroque women composers, both instrumental and vocal, found in manuscripts from libraries in Paris and Venice. Pieces by twelve composers from Italy, France, Spain, and England will be performed, including up to six unpublished works recovered through historical research (sonatas, suites, dances, correnti, airs).
Program
Music in Oblivion
Isabella Leonarda (1620–1704).
Sonata No. 12 for solo violin
Francesca Caccini (1587–1640).
Songs (from Primo libro delle musiche) for voice
Élisabeth Jacquet de la Guerre (1665–1729). Sonata for violin and obbligato viola da gamba (*)
Unpublished piece
I. Grave – Presto – Adagio
II. Allegro – Largo
III. Allegro – Affettuoso – Adagio
Élisabeth Jacquet de la Guerre (1665–1729).
French cantata “Il temple rebasti” for voice and basso continuo
Gracia Baptista (fl. 1557)
Conditore Alme
Marieta Priuli (...)
Correnti for violin and spinet (*) unpublished piece
Correnti I–IV–X
Barbara Strozzi (1619–1677)
Aria Lacrime mie
Mademoiselle Duval (1665–1729). Instrumental suite
(*) unpublished piece
From Les Génies ou les Caractères
de l’Amour (Paris, 1736)]
[Air]
Bourrée en rondeau
Sarabande
L’Amour [Air]
Menuet I and II
Mary Dering. A false Designe to be cruel
(*) unpublished piece
Performers
- Anna Urpina, baroque violin
- Nacho Laguna, theorbo
- Nicola Brovelli, baroque cello
- María Hinojosa, voice
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Capilla Real de Madrid
Palacio Real de Madrid, Centro, 28013 Madrid, 28013